Katrin Wilhelm works as a post-doc researcher in Heritage Science and is member of OxRBL, the Oxford Resilient Buildings and Landscapes Lab.
She completed her DPhil from the School of Geography in March 2016. She obtained her diploma in restoration, art technology and heritage science from the Technical University Munich (TUM) in 2011. Before her academic career she worked as a trained stone mason and as a site manager for heritage site conservation.
Her research focusses on built heritage preservation and perception. This includes preventive conservation with focus on environmental impacts, weathering processes and non-destructive testing in-situ: "Lab in your pocket", applied cultural heritage science: From Ancient Knowledge to 21th Century Applications. "Learning From The Past To Preserve The Future" and most recently the effect of historic environment on people's well-being and conceptualising "Urban Culture Dose".
Funding and awards
- 2018 Oxford University Diversity Fund award for Tomorrow’s Oxford Heads project in collaboration with the History of Science Museum Oxford
- 2017 - SoGE Inspiration Award in collaboration with Dr Martin Coombes for The History and Mysteries of Oxford’s Stone Heads project
- 2013 - EPSRC (Engineering and Physical Sciences Research Council) studentship grant
- 2013 - DAAD doctoral research grant
- 2012-2015 - Proceq research grant
Katrin works in a collaboration between OxRBL (the Oxford Resilient Buildings and Landscapes Lab) at the University of Oxford and the Getty Institute. The aim of the project is to develop a robust, multi-method approach for evaluating conservation treatments for sandstone.
Arch & Lab Pompeii – Restoration Archive and Exposition Laboratory
Katrina is involved in the project management, coordination and research of this highly interdisciplinary project which contributes to sustainable heritage. The cooperation between the Max-Planck Institute for Art History and Florence and the Fraunhofer Institute for Building Physics, Munich (Holzkirchen) combines expertise in technical-science, art history and reception. The project addressed holistically both Pompeii’s tangible and intangible conservation history, perception and preservation, as inseparable part of Pompeii’s legacy. Contributions inform heritage material science (best long-term outdoor performance) and sustainable understanding as place of transnational, European history and culture.
Katrin is lead on an interdisciplinary project which contributes to Oxford's local history and heritage science. The 13 carved busts that ring the perimeter of the Sheldonian Theatre and the History of Science Museum are the third generation, installed in the 1970s. The former sets (dating from 1669 and 1868) were replaced because they were badly eroded and disfigured by rainfall and air pollution, despite conservation efforts.
Over the years the heads have acquired many nicknames, such as the Emperors, the Philosophers, and the Apostles. Why did Sir Christopher Wren include them in the design for the Sheldonian? And, why were they only installed two years after the completion of the theatre? Many of these heads are still in the local area. The project team has been 'hunting' them since 2012 to identify whether they belong to the first or second set and to evaluate them as a long-term outdoor archive for:
- the significance of architecture in urban development and as part of people's identity thus, the potential contribution to a more resilient society;
- climate and environmental change, how built heritage adapts and can be an early indicator;
- the contribution of built heritage to biodiversity and eco-systems.
From May to July 2019 the Weston Library hosted an exhibition to mark the 350th anniversary since the unveiling of the original heads on Broad Street. The project organised a multimedia exhibition and engagement strategy to share their findings with the public, and produced documentation to inform future management and heritage conservation practice.
Search #FindTheHeads on twitter to follow tweets about the project.
Katrin is co-lead on a collaborative project with the History of Science Museum and with financial support of the University's Diversity Fund. This project works in conjunction with the History and Mysteries of Oxford's Stone Heads project, which addresses the past and present of the stone Heads, whereas the TOH explores what the future might hold for these Heads.
The project called for artists of all media to submit their vision of more diversified public sculpture and installation representing marginalised groups such as POC/BAME, LGTB+, disabled and women. The successful artists had their work installed alongside research from the School of Geography and the Environment (OxRBL), as part of a special 'Oxford Heads' exhibition at the Weston Library, from May 2019. Part of the evaluation of the project will look at the beneficial effects on people's well-being through material dialog of biophilic (humanoid and organic) urban built heritage and additional modern sculpture and installation with potential future implications on urban planning policy, public health intervention and integrated heritage science.
Katrin has been involved as adviser in the collaborative project between the British Council, World Monument Fund and the Petra National Trust. The project trained female and male Jordanian locals and Syrian refugees in traditional stone masonry skills to equip with the ability to work on conflict-affected built heritage.